Raymond Thevenot Metodo De Quena 2 Checked High Quality
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Raymond Thevenot: A Master of the Quena
The quena is a traditional Andean flute that produces a haunting and beautiful sound. It is one of the oldest instruments in South America, dating back to pre-Columbian times. The quena has a rich history and culture, and has been used to express the feelings and emotions of the people who live in the highlands of Peru, Bolivia, Ecuador and Chile.
One of the most renowned quena players in the world is Raymond Thevenot, a Swiss musician who fell in love with the instrument and the Andean music when he visited Peru in 1960. He learned to play the quena from local masters, and soon became a virtuoso performer and teacher. He also composed many original pieces for the quena, as well as arrangements of folk songs and classical music.
Raymond Thevenot has recorded several albums of quena music, both solo and with other musicians. He has also written a method for quena, which is considered one of the best and most comprehensive books on how to play the instrument. The method consists of two volumes, each with exercises, scales, melodies, duets and chord symbols. The method also includes a discography of Raymond Thevenot's recordings and a brief biography of his life and career.
Raymond Thevenot's method for quena is a valuable resource for anyone who wants to learn or improve their skills on this fascinating instrument. It is available from Editorial Los Pinos, a publisher based in Lima, Peru. You can also listen to some of his performances on YouTube, such as his concert at Stanford University in 1985.
Raymond Thevenot is a living legend of the quena, and a great ambassador of the Andean culture. His music is a testament to his passion and talent, and a source of inspiration for many quena lovers around the world.
If you are interested in the history of the quena, you will be amazed to know that it is one of the oldest wind instruments in the world, dating back to more than 5000 years ago. The quena originated in the pre-Inca period, and was used by ancient cultures such as Nasca and Mochica, as evidenced by their ceramic art. The quena was a sacred instrument that was played to honor and worship the deities of the Andes, such as Pachamama (Mother Earth), Inti (Sun), and Illapa (Thunder). It was also a symbol of joy and celebration, accompanying dances and festivals.[^1^]
The quena has a variety of shapes and sizes, depending on the region and the musical style. The most common quena is about 36 cm long, with six finger holes on one side and one thumb hole on the other. It has a beveled mouthpiece that creates a distinctive sound. The quena is usually made of bamboo or cane, but it can also be made of ceramic, metal, plastic, or even watermelon. Some of the different types of quenas are shilo, pingollo, kenali, lawata, mahala, pinkillo, chayna, choquela, quena pusi, mama quena, clarÃn, phusipia, phalawata, flauta chaqallo, phâalaata, puli puli, pusippiataica, san borga quena, among others.[^2^]
The quena is a versatile instrument that can play a wide range of musical genres. It is mostly used in traditional Andean music, such as huayno, carnavalito, saya, sanjuanito, yaravÃ, and sikuri. It is also used in nueva canciÃn (new song), a Latin American folk movement that emerged in the 1960s and 1970s with social and political messages. Some of the artists who have incorporated the quena in their music are Illapu[^3^], Facio Santillan, Mercedes Sosa, Inti-Illimani, Quilapayún, and Victor Jara. The quena can also be heard in classical music, popular music, cosmopolitan music, jazz and fusion. ec8f644aee
